Panasonic has come a long way in a short time, and - as winner or joint winner of virtually all our recent group tests - is now a major force in the photographic industry. And now it's moved into the ruggedized camera market with the TS1, which packs everything you might expect in a 2009 compact (including HD video) into a body that is waterproof, dust proof and shock proof. The TS1 represents Panasonic's first attempt at a waterproof camera (just like Canon's D10), and, while not the most compact in this group, it is certainly more pocketable than the D10. Panasonic has managed to pack an impressive number of features into a fairly compact and stylish body that feels solid in the hand. With advanced features that match the best of today's crop of compact cameras, and available in three colors (silver, orange and green) the TS1 presents a very attractive package to potential buyers.
- 12.1 effective Megapixels
- 28-128mm equiv lens with 4.6x optical zoom and optical image stabilization
- Waterproof to 3m / 10 ft.
- Shock and dust proof
- 720p (1280x720) video recording, AVCHD lite option
- 2.7-inch LCD with 230,000 dot resolution
- ISO sensitivity from 80 to 1600 extendable to 3200 and 6400 at reduced resolution
- 29 Scene modes
- In-camera Image editing (such as cropping and resizing)
- Battery life 340 shots (CIPA standard)
Overview
While not the most compact camera in this group test, the TS1 is more compact than the D10, and only a little bigger than the Olympus Tough cameras. The boxy design means that it is still easy to slip into a breast pocket or shirt pocket. The construction materials used are a combination of metals and plastics, and the brushed aluminum finish on the front of the camera certainly adds style. To keep the camera looking sleek and stylish, Panasonic has not included a hand grip on the front left of the TS1, so you might find it a little slippery to use one handed. The ergonomics are not helped by the placement of the zoom rocker and shutter button, which decrease your grip on the camera in operation. Another problem we found with the TS1 is that the rear mode wheel is very tight. While this may be good for preventing you from changing the mode unintentionally, when you do actually want to change the mode it's usually a two handed affair.
The TS1 features a non extending (internal zooming) lens with a range of 28-128mm, which is second only to the Pentax W60 and W80 (which have a little more at the telephoto end). Unlike the Pentax cameras, the TS1 does include optical stabilization, and as you can see in our stabilization tests, it is quite effective in keeping your shots shake-free without the need to increase the ISO settings (and thus introducing noise). Unlike the Olympus Tough cameras, which have the lens in a similar location to the TS1, there is no lens cover when the camera is turned off, meaning that you will likely need to clean fingerprints and dust off the front element quite often. Behind the lens is a 12.1 MP sensor that has a normal ISO range from 80 to 1600. ISO 3200 and 6400 are available as reduced resolution options, but to get to these settings you must be in the special high sensitivity scene mode.
Stills aside, the TS1 features the most advanced video recording capabilities of all the cameras in this group test. It is capable of recording video at 720p (1280x720) at 30fps, and you have the option of M-JPEG compression, or AVCHD lite. The inclusion of AVCHD lite using H.264 compression allows you to jam longer videos onto the same memory card compared to M-JPEG. Video recording is available in reduced resolutions apart from 720p - 848x480, 640x480 and 320 x240 all at 30 fps. The TS1 is one of only two (the other being the Z33) cameras in this group test with a dedicated video recording button, and is the only camera to allow you to operate the optical zoom during video recording. There is also a HDMI port to output your videos to a large display (unique in this group to the TS1).
The TS1 features a playback button for quick access to the pictures you have taken, with some some basic in-camera editing features - such as cropping or resizing - while in playback mode. Unfortunately you cannot turn the camera on with the playback button (the camera needs to be on before you can go into playback mode). This brings us to one of the most annoying things about the TS1 - the ON/OFF button. You need to hold the ON/OFF button for a second before the camera turns on (though it you only have to press it for a fraction of a second before it turns off), and when coming from any other camera in this group test, we were constantly thinking the camera had a flat battery or was broken. The TS1 will go into record mode (from playback) with a half shutter press (this a shooting priority camera).
The interface of the TS1 is quite straightforward and easy to learn and the menu system is intuitive and is easy to read even underwater. A nice feature (that is similar to the Olympus cameras and the D10) is the Q.menu system that gives you quick access to available shooting parameters in record modes. You generally won't be wading through the menu while taking a picture, and it is possible to display just about all the information you would want on the LCD screen.
Equal with the Z33 and Tough 6000, the TS1 is one of the least waterproof cameras in this group, able to only get to 3m/10ft. On top of the waterproofing it is also shock- and dust-proof.
Key Features
Image quality and performance
The panasonic TS1 was not quite the fastest camera in this test operationally, but it was by no means the the slowest either. Our focus test, conducted in moderate indoor light at wide angle, showed it took 1.2 seconds to achieve focus. It was the slowest camera to zoom from wide to telephoto taking 2.7 seconds, and the zoom rocker takes a moment to react when you press it. The slow zooming action means that the TS1 can allow you to zoom during video recording, but we would have liked to see a faster zoom action when not recording videos. The TS1 was one of the slower cameras to turn on taking 1.8 seconds to turn on, and most of that time is holding down the ON/OFF button (if you just press momentarily it will not turn on). The TS1 averaged about 2.5 seconds to write an image out to card.
Taking a close look at the images from the TS1, it produced some of the best results in this group test, and up to ISO 400 shots from it and the Canon D10 were at times hard to distinguish. The main difference is that Canon images generally looked sharper than those from the TS1. Like the D10, sharpness is not quite as good in the corners, and the TS1 is not quite as sharp at the telephoto end as it is on the wide end, which you might expect from a camera with a compact in-body zoom lens.
The high ISO performance of the TS1 is the best in this group test, with Panasonic taking a conservative approach to in-camera noise reduction at higher ISO settings. And while it does show more noise at high ISO settings than the Canon D10, the TS1 also retains the most amount of detail at ISO 1600 of any camera in this group, and will be most likely to give you a usable 6x4 or even 8x10 print when light is low.
In general the color reproduction and exposure of the TS1 is pretty good, but the auto white balance in bright outdoor conditions tends towards more blue than other cameras in this group (though it is not quite as bad as the Z33), so colors are not quite as accurate as those from the Canon D10. The ability to display a live histogram should help you get the correct exposure, but in general it performed very well in full auto mode, with few blown highlights and few exposure problems. Face detection on the TS1 was a little erratic, and there were situations where there were two people in the frame (such as in our flash test) when it would recognize one face but not the the other. Auto focus performance was fairly good, while it was not the fastest in the group (that would belong to the D10), it was not the slowest, and was generally pretty accurate.
The flash shots from the TS1 were some of the worst of the bunch. It produced a sharp, detailed and noise-free image by selecting ISO 100, but it also captured the least amount of ambient light of all the cameras in this group. In fact it was the only camera for which the subjects of our flash test complained that the flash was too bright, and they needed a moment to recover between test shots.
Finally the underwater performance of the TS1 was a mixed bag. When using flash it refused to choose any ISO other than 100, and preceded to blast everything with great amounts of flash. This resulted in an image that was not well exposed and had a distinctly warm color cast. This, along with the ergonomic annoyances, made the camera less enjoyable to use than the Canon D10.
Summary
The TS1 is a feature-packed compact camera that just happens to be waterproof. It produced some of the best image quality in this group test at lower ISO settings, and was the best at high ISO settings. It is let down somewhat by interface annoyances (especially the power button) that you will either hate with a passion or gradually get used to. If you are willing to learn to live with its shortcomings and want a camera that you can use day to day and sometimes take into shallow water, then this should be at - or near - the top of your list, though you do have to remember that this is the one of the least waterproof cameras in this group test.
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